The Masks We Wear         Â Ã‚ Ã‚ Ã‚ Ã‚ Ã‚ Ã‚  settlement,  genius of Shakespe ars best-kn avow  comprises, tells the tale of a   juvenile Danish prince who must unc everywhere the  rightfulness well-nigh his  renders  terminal.   settlements uncle Claudius, the  forces brother, does the   good deed and takes control of good  pansy  settlements throne and   same his queen, Gertrude, after the  devil  ar married.  As the play unf ageings, crossroads  take cares  out(a) his father was murdered by the recently   endow  big business while.  The theme that remains constant throughout the play is  sort versus  humanity.  Things inside the play  egress to be   certain(a) and  sightly but in  cosmos are infested with evil.   many an(prenominal) of the characters  inwardly the play  bury  bathroom a  extend of falseness.   quartet of the main characters that hide behind these cloaks are Polonius, Rosencrantz, Guildenstern, and Claudius.  From behind their  acts they  endow the impression of a   wh   ateverone who is sincere and genuine, in  verity they are steeped in lies and evil.         Â Ã‚ Ã‚ Ã‚ Ã‚ Ã‚ Ã‚ Polonius, friend and assistant to the  power, is  unendingly  refer with his  fashion.  He always wants to keep up the   military capability of a sugariness, gentle person.  Polonius appears to be a man who  chicanes and cares  almost his son, Laertes.   He speaks to his son with advice that sounds sincere but in reality it is rehearsed,  turn over and without feeling.  Polonius  go bads his advice solely to appear to be a good father.  The reality is he  only when speaks to appear sincere as a politician, to look good  or else   thitherfore(prenominal) actu whollyy be good.  Polonius  eve ends his speech to his son by saying: And  get dulleth th edge of husbandry. This above all: to thine own self be  genuine, And it must  act on, as the night the day,  yard canst not then be false to any man.  word of farewell; my blessing  eon this in thee! (I, iii, ll. 77-81).         Â Ã‚     Â Ã‚ Ã‚ Ã‚ Polonius  overtakes his son Laerte!   s his blessing to go away, but then immediately sends a spy to follow him and keep an  kernel on him. This  says his duplicity when he gives the  display of a  lovable father who cares for his son, when in reality he lied about his trust for his son. His advice he gives his son is rehearsed and only said to give the  appearance of a gentle father.  Polonius  march on adds to the theme by  marking Ophelia to stop  promiseing  village. Polonius says to her: Ay, springes to  befool woodcocks.  I do know, When the blood burns, how prodigal the  instinct Lends the  barbarism vows.  These blazes, daughter, Giving   more(prenominal) than light than heat, extinct in both  fifty-fifty in their promise, as it is a-ma superpower, You must not take for  energise (I, iii, ll. 115-120). He lies to her by telling her that  village does not love her, he only lusts for her.         Â Ã‚ Ã‚ Ã‚ Ã‚ Ã‚ Ã‚ Throughout the play Polonius hides behind his mask  show to be an honest, loving parent.  In reality, Po   lonius lies to, manipulates, and eavesdrops on people.  He helps  take to the theme of appearance verses reality by   screening how his appearance is not his true nature, behind the mask  at that place lies  someone totally different.         Â Ã‚ Ã‚ Ã‚ Ã‚ Ã‚ Ã‚ Rosencrantz and Guildenstern are deuce courtiers of the Danish  regal  act who when asked by the king to  fix out what is  worrying the  early prince.  both help to contribute to the theme by  showing there appearance of being crossroadss confidants.  The pair  burn down  village pretending to be his friends when in actuality they are only there because the king asked them to  experience the  integrity.  There is some  chaff inside the  detail because they are asked by the king to find out the truth and they attempt this by hiding within a lie. crossroads knows the  pattern of their visit is to dig into his soul to find the real reason for his actions. As the play continues the two are asked again by the king to again  shew to fi   nd the reason for  villages behavior.  Hamlet insults!    them at every  take place  shrewd they are lying to him about there purpose of the visit.  He tells his mother, the Queen, Theres letters seald, and my two schoolfellows, Whom I trust as I  get out adders fangd, They  prevail the mandate, they must  brush my way And  lay me to knavery (III, iv, ll. 202-205). As the tragedy continues, Hamlet goes with them to England.  Hamlet is  displace by the king to speak with the  powerfulness of England.  In actuality, Hamlet is sent  make to be killed because Claudius thinks that he knows  in like manner  often and must be  erect away.  The two show their appearance of being Hamlets friends, but in truth they have a hidden reason for visiting with Hamlet.  Both show that it will be very difficult for Hamlet to uncover the faithfulness hidden in the lies.         Â Ã‚ Ã‚ Ã‚ Ã‚ Ã‚ Ã‚        Â Ã‚ Ã‚ Ã‚ Ã‚ Ã‚ Ã‚ The fourth person to cover their true selves with a mask is Claudius the current King of Denmark.  His  stomach in council gives him the appearanc   e of an honourable man.  In  numeral I  prognosis 2, Claudius, in the presence of council, shows his true  achievement and ease of  direction at speaking.  Claudius speaks well of the deceased king by showing a general love for him by all his subjects. Claudius show respect for the old sovereign by speaking  affable words of him.  In reality he cares little for the old king, he speaks kindly only to give the appearance of a loving brother. Though yet of Hamlet our dear brothers death The memory be green, and that it us befitted To bear our hearts in grief, and our whole kingdom To be contract in one brow of woe (I, ii, ll. 1-4).         Â Ã‚ Ã‚ Ã‚ Ã‚ Ã‚ Ã‚ As Claudius sends Voltimand and Cornelius off to give the king of Norway the message of Fortibras, he thanks and gives them  tell apart trust, in the  bringing of the notation.

  This shows his trust and caring for his subjects in   creator of the council, winning even more consent from the council. We doubt it  nought: heartily parting (I, ii, ll. 41). Claudius fortifies his appearance of an honest and honourable man in front of the council by showing his respect for Polonius.  He gives him the power to let his son Laertes stay or  lead for Norway.  Claudius speaks highly of Polonius  swelled him thanks and saying the he was  trusty for Claudius becoming king: The head is not more  primeval to the heart, The hand more instrumental to the mouth, Than is the throne of Denmark to thy father. What wouldst thou have, Laertes? (I, ii, ll. 47-50) This council would see him as a man who greatly respects his subjects and cares for them.  This adds to the  problem of uncovering the truth for Hamlet later.         Â Ã‚ Ã‚ Ã‚ Ã‚ Ã‚ Ã‚ Hamle   t enters the council chamber and speaks with Claudius.  The King speaks with Hamlet  seeming to be concerned with Hamlet. He gives advice that too much grieve is not healthy, and shows a concern for Hamlets welfare.  This conduct of Claudius strengthens the mask he has created for himself.  Claudius shows the council that he is understanding of Hamlets grief over his father by saying, How is it that the clouds still hang on you? (I, ii, ll. 66).  Claudius tells Hamlet that he is an admirable person for grieving for so  unyielding over his fathers death.   save again Claudius keeps putting on the appearance of the honourable man. Tis sweet and commendable in your nature, Hamlet, To give these  distress duties to your father. But, you must know, you father  lost a father, That father lost, lost his, and the survivor  hold In filial obligation for some term To do obsequious sorrow.  But to persever In  granitic condolement is a  personal line of credit (I, 2, ll. 87-93)         Â Ã‚ Ã‚     Â Ã‚ Ã‚ Marcellus described the situation best when h!   e said Something is  gooey in the  nominate of Denmark (I, iv, ll. 90).  The four characters each hide themselves and because of their sins they are killed by the  workforce of Hamlet each time.  Shakespeares use of Hamlet as the bringer of  evaluator is not without irony because he puts on the appearance of something else as well.  In order to rectify the sins of the four, Hamlet must put an antic disposition on (I, v, ll. 172).  Hamlet use  hypocrisy to get a truth (uncover the masks of his enemies) seems to  hit him no  conk out than the rest.  Shakespeare is obviously against not being your true self because all of these characters who put on certain masks to hide their true selves  cloy in the end.                                        If you want to get a full essay, order it on our website: 
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