A Stylistic Analysis of William Shakespeare's Poem "Winter"

Linguistic studies have taken such(prenominal)(prenominal) rapid strides in new-fashioned years that the range is bafflingto the innocent and amazingly delightful to the linguistics-oriented. hire linguistics isconcerned with many fields and subjects on Planet bad males and possibly beyond that. A human beings of belles-lettres mostly depends on thought and dah. The concept of style in literary works is the product of inductive reasoning in the intelligence that style is based on a special andunique theatrical role of linguistic process. It is just one quality contained in any piece of writing. The styleof a novel, a play, an essay or a verse form is only one break of its totality. The watch of style has been in use in German, French and inc edge since the early nineteenth cytosine. In the early sixties of the 20th century M.A.K. dormiday introduced the termlinguistic stylistics. The master(prenominal) concern of descriptive linguistics is the systematic sketch ofthat part of human behavior c anyed language. William Wordsworth in Lyrical Ballads (1798) suggested that poesy should have it off with theexperience of those living close to dispo patternion, especially in the country. It could be thelanguage of colloquy in the middle and lower classes of society.. Long onwards the Poet of Nature came on the scene, Shakespeare brought the languageclose to those who dwelt in the country. Hence my selection of this extra poem. property in mind all these concepts we can adjudicate a lexical abstract of the poemcomposed in the inimitable style of Shakespeare. school text of the poem: WinterWhen icicles hang by the wall,And Dick the ward blows the nail,And tom bears logs into the hall,And take out comes frozen home in pailWhen personal line of credit is nipt and slipway be foul,Then nightly sings the complete(a) nozzleTuwhoo!Tuwhit, tuwhoo! A felicitous none!While unctuous Joan doth flounder the dumbbell,When all more or less t he wind doth blow,And coughing drowns the su! bgenus Pastors saw,And birds sit brooding in the snow,And Marians poke looks red and crude,When roasted crab hiss in the b nozzleThen nightly sings the staring owlTuwhoo !Tuwhit ! tuwhoo! A lively note!While preciselytery Joan doth keel the pot. The poem begins with adverb of quantify when and goes on to use when, then and man, a total of light occurrences. These adverbs become the idea of time and station to thenarration. The place is evidently a cottage in the country. Shakespeare the playwright provides an interesting dramatic opinion with the appearance ofcharacters within and orthogonal the humble house. Dick the shepherd, tom turkey (must be theson), Joan (of course the wife), parson and Marian. Birds, channelize and the owl commit thepicture. Nominals used for winter:Icicles carbon WindA typical pastoral cottage is described with special take words :Wall milk Nail pail Hall bowl Logs pot smarmy roastedLanguage activity is related to each character:Dick the s hepherd blows his nailTom bears logs into the houseGreasy Joan doth keel the pot The coughing parsonMarian with a nose red and altogether with cold. In addition to human beings the poet uses the language tobring into focus other creatures like roasted crabs. Even the owl and the birds areengaged in their appointed language activity. And birds sit brooding in the snow Then nightly sings the staring owlBrooding birds and sings the staring owl are alliterative as well as foreign collocations. The poet attributes human situations like brooding and staring to feathered creatures. More unusual collocations:greasy Joanroasted crabs hissingPots and pans can be greasy but here greasy Joan is a picturesque presentation. Cancrabs hiss in the bowl? only when it is the poets perk to assign any execute to anyone bykeeping his inventions under the spell of his language, and without pass any reason! in that respect is a broad variety of lexical items in such a soon poem. Persons, objects, s easonsand surroundings have been artistically interm! ix with words and phrases. The aid ofthe reader is drawn with appreciation to iridescent images, epithets, suitable file away wordsand other poetical devices. Irony as a poetic device is used in merry note while the song of the owl in suchan atmosphere can exactly be merry !There is no dearth of sounds in the poem.

We find a wealth of phonological material here. But we will not go into details as this analysis is mainly throttle to lexical items. Sounds: coughing hissing tuwhoo tuhooIn this placid though freeze domestic scene creeps in a have-to doe with of horror associatedwith the dark night. When blood is nipt, and ways be foul: We jockey the foul ways are most likely to createterror into such cold, damp, dark and dismal nights. One is reminded of witches inMacbeth with their cries of fair is foul. Nine descriptive epithets, fivesome winter nominals and a subprogram of unusual collocations,pictorial phrases,refrains and repetitions enrich the poem with a rare beauty. Greasy Joan keels the pot is used twice and can be taken as the summative phrase of thispoem about a peaceful, eco-fuendly household. A harming family sustained with care,cooperation and unlimited love with the parsons saw and Marians red and raw nosecomplete the rural picture. With such control, mystery and phantasy of language Shakespeare is justly recognized notonly as the immortal dress up of Avon but also the Bard of the whole world. REFERENCESCarter, Ronald, ed. 1982. Language and books: An anterior reader in stylistics. London: Allen and Unwin. Chapman, Raymond. 1973. linguistics and literature: Anintrod uction to literary stylistics. London: Amold. Fowler,! Roger, ed. 1966. Essays on style and language. London: Routledge. Fowler, Roger. 1986. poring over literature as language. In TheoDhaen, ed. 1986. Linguistics and the study of literature. capital of The Netherlands: Rodopl. Freeman, Donald C., ed. 1970. Linguistics and literary style. New York: Holt, Rinehart and Winston, Inc. Halliday, M.A.K. 1970. Descriptive linguistics in literarystudies. In Freeman 1970. Halliday, M.A.K., and Ruqaiya Hasan. 1976. Cohesion inEnglish. London: Longman. If you want to last a full essay, order it on our website: BestEssayCheap.com

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